1958 / B&W / 99 Min. / Tony Richardson, director
Tense and brooding -- and described in its advertising on its release as "An electrifying adult
experience...from the sensational play by John Osborne that shocked the world!" I'd be more inclined to
describe it as harsh, no-holds-barred, and not for those looking for a sensitive love story. The main
character's anger is ugly, but all too realistic. If it weren't so true, it might be impossible to stay with the
character long enough to begin to understand him. If it weren't for the character of Cliff Lewis, who
provides a buffer, sympathy, and humanity, the film might be too dark to allow for even the hope of
change.
Much has been said by reviewers of how the film represents the frustrations of the angry young men of
post-war Britain. Jimmy's (Richard Burton) struggles with his life ring true no matter what the era, as do
the intertwined themes of bigotry, friendship, and Jimmy's relationship with his mother.
A plot
summary is as follows: "Jimmy lives with his wife Allison (Mary Ure) and his close friend Cliff (Gary
Raymond). Though he is university educated, Jimmy works running a sweet stall. His lack of ambition
has poisoned his relationship with Allison's somewhat patrician family, and this in turn has embittered his
feelings toward her. When Allison's friend Helena (Claire Bloom) shows up, the mere thread that holds
the couple together seems to be broken."
GR has a significant role as the friend who loves both Jimmy and
Allison and does his best to hold the couple together until he finds himself filling Allison's place as the
target of Jimmy's anger. The film isn't all harrowing, though: GR's Cliff is charming and sincere (and
hopelessly young), and the snippets of music-hall sketches performed with Burton are not to be missed.
Gary Raymond comments on the film:
"I did play Cliff in Look Back in Anger on
the stage in the production by Tony Richardson redirected by John Dexter. As Tony directed the film as well
and Mary Ure was the original Alison there was a very easy atmosphere during the shoot. Edith Evans as Ma
Tanner is wonderful in the film. I thought Burton very strong as Jimmy, and we got on well together, and I
remember liking his wife Sybil enormously. At the time I made it, my wife -- then my girlfriend -- was making
the film Room at the Top with Laurence Harvey and Simone Signoret; it was released first and
slightly stole Look Back's thunder -- although we don't hear so much of it now."